--- product_id: 3646823 title: "Pyle Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige)" brand: "pyle" price: "587 kr" currency: NOK in_stock: true reviews_count: 13 category: "Pyle" url: https://www.desertcart.no/products/3646823-pyle-pro-dual-over-ear-headset-microphone-professional-hands-free store_origin: NO region: Norway --- # Omnidirectional pickup for 360Β° clear sound Lightweight dual-ear metal frame for all-day comfort 4-Pin Mini XLR secure pro audio connection Pyle Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige) **Brand:** pyle **Price:** 587 kr **Availability:** βœ… In Stock ## Summary > πŸŽ™οΈ Elevate your voice, stay hands-free, and own the room with pro sound that’s almost invisible. ## Quick Answers - **What is this?** Pyle Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige) by pyle - **How much does it cost?** 587 kr with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.no](https://www.desertcart.no/products/3646823-pyle-pro-dual-over-ear-headset-microphone-professional-hands-free) ## Best For - pyle enthusiasts ## Why This Product - Trusted pyle brand quality - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Key Features - β€’ **Versatile Pro Use:** Perfect for presentations, live performances, broadcasting, and studio recording β€” your all-in-one audio solution. - β€’ **Built for Endurance:** Durable metal frame and flexible boom deliver secure fit and freedom of movement during long sessions. - β€’ **Pro-Grade Connectivity:** Reliable 4-pin Mini XLR plug ensures seamless integration with wireless belt packs and mixers. - β€’ **Crystal-Clear Omni Sound:** 360Β° omnidirectional condenser mic captures every nuance with professional clarity. - β€’ **Discreet & Comfortable Fit:** Beige dual-ear design blends naturally and fits glasses, hats, and headphones without compromise. ## Overview The Pyle Pro PMHMS20 is a professional dual over-ear headset microphone featuring an omnidirectional condenser capsule for crisp, clear vocals. It connects via a durable 4-pin Mini XLR cable compatible with popular wireless systems, offering a secure and reliable audio signal. Designed for comfort and discretion, its beige metal frame fits securely over both ears and blends with skin tones, making it ideal for presentations, performances, and broadcasting. Lightweight yet robust, it includes two foam windscreens to reduce noise interference and supports a wide frequency range (20Hz-20kHz) with a high max SPL of 130dB. This headset balances pro-level sound quality with affordability, making it a go-to choice for professionals needing dependable, hands-free audio gear. ## Description The PylePro PMHMS20 headset boom microphone provides professional, high-quality sound for performers, speakers, instructors, and broadcasters. Designed with a back electret condenser element, this headset microphone delivers crystal-clear audio across a full frequency response range of 20Hz to 20kHz. The omni-directional pickup pattern ensures consistent sound capture from all directions, making it ideal for dynamic and active use. It offers a sensitivity of -45dB Β±3dB and a maximum input sound pressure level (SPL) of 130dB, handling louder sound sources with ease while maintaining clarity.Weighing only 15g, the lightweight and low-profile design offers superior comfort during extended wear. Its beige color blends naturally with a variety of skin tones, maintaining a discreet appearance on stage or during presentations. The attached 1.2-meter cable connects through a durable 4-pin mini XLR connector, ensuring secure compatibility with many popular wireless systems. The output impedance is rated at 1kΞ© Β±30%, and it operates on a DC power supply between 1.5V and 10V for flexible integration with existing equipment.Two included windscreens help minimize plosive sounds and wind interference for cleaner recordings. The PylePro PMHMS20 is the ideal solution for those needing reliable, comfortable, and crystal-clear voice amplification across professional environments. Review: Value of the century..... - Excellent. Not a sonic replacement for an E6 or a WL-93, but pretty darn close especially for the price. For 13.99 you can buy 30 of these instead of an E6. Having been in audio for 3 decades I was helping with a meagerly budgeted sound design for a high school musical. There was some investigation into name brand gear before I got involved. With students we needed a low cost solution to get as as many kids miced as possible. At this price the mics are almost disposable - and indeed during two dress rehearsals and a 3 night run the kids managed to toast at least 6 of the 30 mics I bought. After having been through 2 musicals with students my suggestion would be to buy these and immediately remove and throw away the ear hooks. The wire design where it clips onto the ear hook at the back of the neck was the problem. Kids hastily adjusting the mic would slide the metal frame back from the end of the mic and put strain on the clip holding the wire the the frame. This would cause rapid failure - sometimes only after one use as the strain breaks the wire. The best solution is to lose the ear hooks altogether which leaves you with the mic only on the end of a gently bent stiff wire that is perfect length to run through the hair emerging above the forehead as a head mic. Clip it into the hair discretely with small hair clips or bobby pins and you have an almost invisible mic! Plus it sounds better than the mic at the side of the mouth. I compared several of these and indeed most of the mud, woof and resonance from the chest/neck is gone when the mic is at the hairline. Plus with it lying against the skull my guess is that you are getting a bit of sub 100hz bone conduction that helps define the voice. I turned several of the ear hook mics into head mics after they started to show signs of impending failure - I reinforced each one with heat shrink tubing where the wire meets the frame - not a single one failed after that! Also no mic got torn off during quick costume changes. Some of the guys wanted to keep the mics as earhook booms. The headset mics sounded better and didn't get ripped off their heads. The gain did have to be a bit higher on the head mics, but I didn't have any feedback problems. The only feedback I had was consistently at 253 and 6.4k and that was during high volume checks and ringing out the system. Not a single feedback problem was had during the shows. In summary: buy these, lose the wire frame, heat shrink and reinforce the connections and strain points. Get some moleskin tape & tape the wire well to the back of the neck with enough slack. Then you will have a mic for every kid - every one has their own mic and you only have to swap body packs during scene changes Trust me - If you try to skimp on the number of mics you purchase & try to pass the mics back and forth you will destroy them quickly. You will save more in the long run by using the head mic method. Also the connectors are XLR 4 pin and work with Shure systems. There were 5 Shure UGX pack already there that worked perfectly. In addition I purchased 2 GTD audio UHF G747L systems (these are 3 pin and will require you to swap XLR connectors from 4 to 3). I am completely blown away by these. I got them through another source other than desertcart, but you can find them on desertcart for $325. The range on these is incredible - better than the Shure UGX. Upon further investigation these are chinese knock-offs of the Shure SGX series. I can't believe they are allowed to be sold and Shure hasn't gone after them. Why? They have the same LCD screen, the same functions - even the manual uses the same terminology. They are total counterfeits - and they perform brilliantly. So throw in a couple Behringer quad expander/compressor units, a five space rack bag and I was able to outfit the school with 8 extra wireless channels (for a total of 13 channels) and a total of 30+ mics for $1300. Every kid (who didn't trash their mic) could be heard. Not bad for $1300 when the going rate for good UHF diversity is $500+ a channel..... Review: Amazing microphone for an amazing price. - I am a recording Engineer, Producer, Singer performer. I have been giving concerts Solo (15 years), Trio with two others (10 years) and Duet concerts (1 year) . . . All three are concurrent and ongoing. I have recorded and mixed and mastered three CDs. I use Bruel and Kjaer 4011, Bruel and Kjaer 4006, and AKG Perception microphones for recording. I have designed an amazing compact PA system that I assembled from components purchased that has outperformed all commercial PA systems costing 10 times more. The system fits into my Toyota car and puts out 800 watts per channel with a frequency response that extends from 20 Hz to 35 KHz!! I use Shure Handheld condenser Wireless Beta 87A as well as the AKG digital wireless microphones for routine concert use. Occasionally I pull out my $600 Countryman wireless. I decided to try this because it was so inexpensive with a double ear "suspension" I was simply amazed at the sound quality... yes, perhaps not the same quality as my countryman but pretty close to it!! And if any one is picky but has a good ear, you can easily fine tune this mic to match the frequency response of the Countryman. As Bob Carver, my Audio mentor and friend has often told me, as long as one starts with a good quality microphone, you can make it sound like any other microphone with the proper EQ!! This microphone does the job splendidly... so much so, I have purchased a total of 8 of these at $15 each. I use this exclusively for all my live concerts. I have also recommended this to quite a few musician friends. The only problem I found is that this company does not make a carrying case for this. It is awkward to transport. So I had to buy a Pelican case 1170 for $37 in which I can carry 4 or 6 six of them. ## Features - 4 PIN MINI XLR CONNECTION: This headset is equipped with 4pin Mini XLR plug cable wire connector and comes with 2 windscreens. Works with body/belt pack transmitter system or with direct connection to studio mixer. - COMFORTABLE AND DURABLE: The ergonomic, flexible design of the wired headset microphone gives you freedom of movement. Suitable for any occasion, the double ear metal frame fits comfortably for users wearing glasses, hats, headphones and more. - MINIMUM MICROPHONE VISIBILITY: The beige flesh toned color of this wired over ear headset microphone system blends in with various skin types and is practically invisible. Designed for dj, hosts, singing, recording and all kinds of users. ## Technical Specifications | Specification | Value | |---------------|-------| | ASIN | B003D2VT2K | | Antenna Location | Calling, DJ, Recording, Singing, Video Conference | | Audible Noise | 130 db | | Audio Sensitivity | 130 db | | Best Sellers Rank | #1,459 in Musical Instruments ( See Top 100 in Musical Instruments ) #10 in Wireless Headset Microphones & Systems | | Brand | Pyle | | Built-In Media | 2 Foam Windscreens, Headband, Microphone, User Manual | | Color | Beige/Matches Various Skin Types | | Compatible Devices | Laptop, Music Production Equipment, Personal Computer, Smart Speaker, Television | | Connectivity Technology | wire | | Connector Type | 4 Pin Mini XLR | | Customer Reviews | 4.3 out of 5 stars 1,024 Reviews | | Enclosure Material | Metal, Plastic | | Frequency Range | 20 hz - 20 khz | | Frequency Response | 20 KHz | | Global Trade Identification Number | 00068888904254 | | Hardware Platform | Television | | Impedance | 2000 ohm | | Item Dimensions | 6.5 x 3.25 x 6 inches | | Item Type Name | Pyle pro - Microphone (PMHMS20) | | Item Weight | 0.11 kg | | Manufacturer | Sound Around | | Mfr Part Number | PMHMS20 | | Microphone Form Factor | Microphone Only | | Model Name | PMHMS20 | | Model Number | PMHMS20 | | Number of Batteries | 1 C batteries required. | | Number of Channels | 1 | | Number of Items | 1 | | Number of Packs | 1 | | Polar Pattern | Omnidirectional | | Power Source | Corded Electric | | Recommended Uses For Product | Calling, DJ, Recording, Singing, Video Conference | | Signal-to-Noise Ratio | 130 db | | Special Feature | Microphone-Feature | | UPC | 807031757640 182682351066 804066807067 068888904254 701988345502 | | Unit Count | 1 Count | | Warranty Description | 1-YEAR | ## Product Details - **Brand:** Pyle - **Color:** Beige/Matches Various Skin Types - **Compatible Devices:** Laptop, Music Production Equipment, Personal Computer, Smart Speaker, Television - **Connectivity Technology:** wire - **Connector Type:** 4 Pin Mini XLR - **Included Components:** 2 Foam Windscreens, Headband, Microphone, User Manual - **Model Name:** PMHMS20 - **Polar Pattern:** Omnidirectional - **Recommended Uses For Product:** Calling, Disc Jockey Use, Recording, Singing, Video Conference - **Special Feature:** Microphone-Feature ## Images ![Pyle Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige) - Image 1](https://m.media-amazon.com/images/I/61vLstWfxpL.jpg) ## Available Options This product comes in different **Size** options. ## Questions & Answers **Q: will this mic work with TECHNICA ...** A: Assuming the question is whether the mic will work with an Audio-Technica body pack transmitter, the answer is no. This mic is wired for a Shure body pack. Audio-Technica and Shure both use 4-pin connectors; however, they are wired differently. The pin-out functions do not match. Audio-Technica: 1=ground; 2=line input; 3=mic input; 4=bias. Shure: 1=ground; 2=bias; 3=audio input; 4=ground through load. I do not believe that Pyle offers this mic with an Audio-Technica-wired connector. **Q: does it have a 1/4 inch plug ?** A: This EXACT model does NOT have a 1/4 inch plug. You'd want to buy the "Pyle-Pro PMHM2 Omni-directional Head Worn Microphone (3.5mm / 1/4'')" - which DOES have the 1/4 inch plug. **Q: Do you have any "hair-line" models (ones that can be hidden in the hairline of a performer)?** A: I don’t know. I am not the vendor. These have worked just fine for us. **Q: Can this mic be worn to work on either side of the face? Maybe upside down, resting on the neck instead of the back of the head as in the image?** A: Yes, it can be worn on either side of the face if you turn it upside down. You can also rest it on the back of the neck instead of the the back of the head. You will just need to do some adjustments. ## Customer Reviews ### ⭐⭐⭐⭐⭐ Value of the century..... *by S***M on March 30, 2014* Excellent. Not a sonic replacement for an E6 or a WL-93, but pretty darn close especially for the price. For 13.99 you can buy 30 of these instead of an E6. Having been in audio for 3 decades I was helping with a meagerly budgeted sound design for a high school musical. There was some investigation into name brand gear before I got involved. With students we needed a low cost solution to get as as many kids miced as possible. At this price the mics are almost disposable - and indeed during two dress rehearsals and a 3 night run the kids managed to toast at least 6 of the 30 mics I bought. After having been through 2 musicals with students my suggestion would be to buy these and immediately remove and throw away the ear hooks. The wire design where it clips onto the ear hook at the back of the neck was the problem. Kids hastily adjusting the mic would slide the metal frame back from the end of the mic and put strain on the clip holding the wire the the frame. This would cause rapid failure - sometimes only after one use as the strain breaks the wire. The best solution is to lose the ear hooks altogether which leaves you with the mic only on the end of a gently bent stiff wire that is perfect length to run through the hair emerging above the forehead as a head mic. Clip it into the hair discretely with small hair clips or bobby pins and you have an almost invisible mic! Plus it sounds better than the mic at the side of the mouth. I compared several of these and indeed most of the mud, woof and resonance from the chest/neck is gone when the mic is at the hairline. Plus with it lying against the skull my guess is that you are getting a bit of sub 100hz bone conduction that helps define the voice. I turned several of the ear hook mics into head mics after they started to show signs of impending failure - I reinforced each one with heat shrink tubing where the wire meets the frame - not a single one failed after that! Also no mic got torn off during quick costume changes. Some of the guys wanted to keep the mics as earhook booms. The headset mics sounded better and didn't get ripped off their heads. The gain did have to be a bit higher on the head mics, but I didn't have any feedback problems. The only feedback I had was consistently at 253 and 6.4k and that was during high volume checks and ringing out the system. Not a single feedback problem was had during the shows. In summary: buy these, lose the wire frame, heat shrink and reinforce the connections and strain points. Get some moleskin tape & tape the wire well to the back of the neck with enough slack. Then you will have a mic for every kid - every one has their own mic and you only have to swap body packs during scene changes Trust me - If you try to skimp on the number of mics you purchase & try to pass the mics back and forth you will destroy them quickly. You will save more in the long run by using the head mic method. Also the connectors are XLR 4 pin and work with Shure systems. There were 5 Shure UGX pack already there that worked perfectly. In addition I purchased 2 GTD audio UHF G747L systems (these are 3 pin and will require you to swap XLR connectors from 4 to 3). I am completely blown away by these. I got them through another source other than amazon, but you can find them on amazon for $325. The range on these is incredible - better than the Shure UGX. Upon further investigation these are chinese knock-offs of the Shure SGX series. I can't believe they are allowed to be sold and Shure hasn't gone after them. Why? They have the same LCD screen, the same functions - even the manual uses the same terminology. They are total counterfeits - and they perform brilliantly. So throw in a couple Behringer quad expander/compressor units, a five space rack bag and I was able to outfit the school with 8 extra wireless channels (for a total of 13 channels) and a total of 30+ mics for $1300. Every kid (who didn't trash their mic) could be heard. Not bad for $1300 when the going rate for good UHF diversity is $500+ a channel..... ### ⭐⭐⭐⭐⭐ Amazing microphone for an amazing price. *by N***H on July 9, 2015* I am a recording Engineer, Producer, Singer performer. I have been giving concerts Solo (15 years), Trio with two others (10 years) and Duet concerts (1 year) . . . All three are concurrent and ongoing. I have recorded and mixed and mastered three CDs. I use Bruel and Kjaer 4011, Bruel and Kjaer 4006, and AKG Perception microphones for recording. I have designed an amazing compact PA system that I assembled from components purchased that has outperformed all commercial PA systems costing 10 times more. The system fits into my Toyota car and puts out 800 watts per channel with a frequency response that extends from 20 Hz to 35 KHz!! I use Shure Handheld condenser Wireless Beta 87A as well as the AKG digital wireless microphones for routine concert use. Occasionally I pull out my $600 Countryman wireless. I decided to try this because it was so inexpensive with a double ear "suspension" I was simply amazed at the sound quality... yes, perhaps not the same quality as my countryman but pretty close to it!! And if any one is picky but has a good ear, you can easily fine tune this mic to match the frequency response of the Countryman. As Bob Carver, my Audio mentor and friend has often told me, as long as one starts with a good quality microphone, you can make it sound like any other microphone with the proper EQ!! This microphone does the job splendidly... so much so, I have purchased a total of 8 of these at $15 each. I use this exclusively for all my live concerts. I have also recommended this to quite a few musician friends. The only problem I found is that this company does not make a carrying case for this. It is awkward to transport. So I had to buy a Pelican case 1170 for $37 in which I can carry 4 or 6 six of them. ### ⭐⭐⭐⭐ Hard to beat functionality for price. Order some spares. *by C***R on February 5, 2026* I have ordered these many times. I use them for theater productions. They are a little large for small children's heads but work well for tweens on up. They headset is bendable so I can still get them to stay on children. A small piece of mic tape holding it to the cheek helps keep it in place. These are not high end units. However, you get 80% of the quality at a fraction of the cost. Most audience members will never know the difference between this and a countryman. You do have to treat these as semi-disposable items as they can break when not handled properly. A few things I have done to help them last a little longer: 1- I unclip the mic from the headset and place a piece of heat shrink tubing over the connection between the cable and the mic. This is a weak spot and it seems to help reduce stress at that point. 2- these will come with small plastic clips holding the mic to the headset. One of these clips will be on the cable. Remove this clip and relocated it to the stiff mic portion of the unit. Leaving this clip on the cable often causes the cable to break internally at that point. Always have a couple of spares on hand and teach users how to place and treat them well. At this price point, I don't have to get upset if one or two break each event that I do. I have started also using some other units that have a removable cable (Jk audio) but they are at least twice the price and I like the headset piece on these Pyle Pro units more. ## Frequently Bought Together - Pyle Pro Double Over Ear Microphone Headset - Professional Hands-Free Omni-Directional Wired Boom Condenser Microphone with 4 Pin Mini XLR, 1.2M Cable, Windscreen (Beige) - Sujeetec Microphone Headset Discreet Headworn Earset Over Ear Hanging Mic Compatible with Shure Wireless System Bodypack Transmitter, Ideal for Lectures, Live Performance, Theater, Podcasts – Beige - OnStage ASWS20N10 Tan Windscreens for Headset Microphones, 10 Pack --- ## Why Shop on Desertcart? - πŸ›’ **Trusted by 1.3+ Million Shoppers** β€” Serving international shoppers since 2016 - 🌍 **Shop Globally** β€” Access 737+ million products across 21 categories - πŸ’° **No Hidden Fees** β€” All customs, duties, and taxes included in the price - πŸ”„ **15-Day Free Returns** β€” Hassle-free returns (30 days for PRO members) - πŸ”’ **Secure Payments** β€” Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** β€” Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.no/products/3646823-pyle-pro-dual-over-ear-headset-microphone-professional-hands-free](https://www.desertcart.no/products/3646823-pyle-pro-dual-over-ear-headset-microphone-professional-hands-free) --- *Product available on Desertcart Norway* *Store origin: NO* *Last updated: 2026-10-08*